Bowdoin Art Students Pursue their Craft from Coast to Coast.
Honored to have my first guest post on Misadventures with Michael!
Today I’m excited to welcome guest blogger Elizabeth Snowdon, a friend of mine at school with her own awesome blog and radio station. On her site Coffee & Lipstick she shares some of the pieces she is working on with info about her materials and methods as well. Without further ado, here’s Liz.
Hey there, Misadventurers! It’s Elizabeth Snowdon. My blog is an artsy one, but I realize the focus on things that are purely art-related is not everyone’s cup of tea. For that reason, my goal for my guest posts here is to keep you, the travel-hungry reader, sated with pictures, reviews, facts, and tips, but also to guide you through my experience with an artistic flair. This could be in the form of travel sketching, or simply through photography.
So while Michael takes the blog on the road in the States and abroad, I’m holding down…
View original post 646 more words
I have given up my quest for the perfect image transfer. There is much more detail and interest in the inbetween spaces left behind by my inexperience and impatience with the technique. Imperfection communicates the rough and the raw. I am surrendering myself and releasing ideas of what I “should” be making, what my art “should” look like, and creating what comes out of me naturally. I am focusing myself on releasing that rawness.
Art is self-reflection. Art is self-healing. Know thy art, know thyself.
Materials used: Golden extra heavy gel, collage elements, coffee filters, deli paper, black Stabilo ALL pencil, watercolor, Derwent Graphitint pencils, charcoal, Golden crackle paste
I’m bad at math, but it doesn’t take a genius to know that Heaven = a massive cold brew coffee from Little Dog + a warm, partly cloudy, summer day + new art supplies.
Right now I’m test-driving QOR watercolors by Golden. I have been eying a more vibrant palette for months and couldn’t justify buying 6 new colors at 8-10 dollars per 15mL tube. Luckily for me, QOR offers a few starter sets with 5mL tubes so I could get a variety of new colors to try for a smaller cost. Three of these starter sets have 6 tubes in earth, high chroma, and introductory palettes, and there is also an expanded set of 12 introductory colors. I bought the high chroma set for about $25 from Blick. The high chroma set contains: cobalt teal, green gold, quinacridone gold, transparent pyrrole orange, quinacridone magenta and dioxazine purple.
First impressions: The colors are exactly like their Golden fluid acrylic namesakes––vibrant, bold, and intense. A little goes a long way with these. QOR watercolors are supposed to have a different binder than traditional watercolors which makes them hold their color better, and so far, I find that to be true; I found little difference in the strength of the color between wet and dry states. I’m not a true watercolorist, so a lot of the other benefits these paints boast (bold color, yet lifts off the page; doesn’t crack or flake; makes excellent glazes) I have yet to try.
But for my sinister beet creature, they did exactly what I bought them to do: give me snazzy color.
Other materials used: Da Vinci watercolor (on the legs), Micron pens, Prismacolor Premier colored pencil, Sharpie white oil-based paint pen, Prismacolor colorless blender marker.